No Place: Toothpaste Press, 1983. First Edition, First Impression. Hardcover. Tall, oblong octavo. This is copy No. 99 of 100 hardcover copies signed by both the author and artist, cased in cloth and handmade Japanese stencil dyed paper with printed paper title label on spine, by Constance Sayre at Black..... More
New York: A.L. Burt Company. 1928 [i.e., slightly later]. Reprint. Hardcover. Early reprint, perhaps the first, of the 1st edition issued by the Macy-Masius Company of New York in 1928. Octavo, original red cloth titled and ruled in gilt on spine and front panel. 310 pp + [2] pp ads..... More
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New York: AvoNova / William Morrow. [1995] & Avon Books [1996 & 1997]. 1st edition, second impression of the first book (code to 2), 1st editions, first printings of Vols 2 & 3. All three volumes have short matching inscriptions by the author. A fine set in fine dust wrappers..... More
Boston: John W. Luce and Company. 1913. First American Edition. First American edition. Octavo. . Quarter green cloth over tan paper boards, gilt titles to spine and front board with inlaid illustration by Sime. Issued in the same large format as the British First Edition, and utilizing British sheets. 98..... More
London: William Heinemann. 1912. First Edition, First Printing. First edition. Octavo. Quarter green cloth over tan paper boards, gilt titles to spine and front board with inlaid illustration by Sime, the first binding state. [98] pp. Ten illustrations by Sidney H. Sime. Spine cloth worn along edges, corners bumped, bookplate..... More
London & New York: G.P. Putnam's Sons, 1922. First Edition, First Printing, Deluxe Issue. First edition, Deluxe Issue, limited to 500 hand numbered copies signed by both Lord Dunsany and Sidney Sime, of which this is number 396. Large Quarto. Quarter vellum spine with brown cloth boards with single gilt..... More
London & New York: G.P. Putnam's Sons, 1922. First Edition, First Printing, Deluxe Issue. First edition, Deluxe Issue, limited to 500 hand numbered copies signed by both Lord Dunsany and Sidney Sime, of which this is number 212. Large Quarto. Quarter vellum spine with brown cloth boards with single gilt..... More
New York: Mitchell Kennerley. 1915. First American Edition. First American edition. Octavo. Blue cloth with gilt titles on front cover, gilt titles on spine, blind stamp "MK" on the rear board. 138 pages. Small publisher's device on title page. Boards and spine are rubbed, spine panel darkened and spine lettering..... More
London: Elkin Mathews, 1919. Third Edition. Third edition. Octavo. Gray paper boards with linen spine, titles stamped in black on front cover and spine. 111 pages. Frontispiece portrait of the author with tissue guard, signed "Dunsany" in facsimile below the portrait. Boards and spine darkened and stained towards the edges..... More
London: Elkin Mathews. 1920. Third Edition. Third edition. Octavo. Quarter linen, paper boards, titles stamped in black on front cover and spine. 187 pages. Six illustrations by Sidney H. Sime. Boards rubbed at edges and corners, soiled and dampstained, rectangular stains on rear board, spine toned, browning to endpapers, partially..... More
Boston: John W. Luce and Company. 1913. First American Edition. First American Edition. Quarto. Quarter green cloth over tan paper boards, gilt titles to spine and front board with inlaid illustration by Sime. 179 pages. Ten illustrations by Sidney H. Sime. Boards lightly soiled & toned, very slight bending to..... More
London: William Heinemann. 1906. First Edition, First Printing. First edition. Octavo. Full green paper boards, gilt title to spine and front board with inlaid illustration by Sime. A rare binding variant, likely a second issue binding. 179 pages. Ten illustrations by Sidney H. Sime. Boards lightly scuffed, small corner bumps..... More
London: George Allen & Sons. 1910. 1910. First Edition, First Impression. Hardcover. Octavo, original blue-gray cloth titled in gold on spine & front panel, top edge gilt, fore-and bottom edges trimmed. Of the two states of the text, this is the first state (State A), with integral title leaf and..... More
New York: William S. Gottsberger, Publisher, 11 Murray Street, 1886. First Edition in English. Hardcover. Small octavo, original decorated red boards titled and designed in black. 112 pp. Light rubbing to cloth, a very good clean copy. ¶ Historical novel with fantasy elements; the main character is Olbasanus, a sorceror..... More
Boston: Small, Maynard & Company, Publishers. [1919]. First edition. Octavo, original green cloth stamped in gold. 349 pp. Tiny stains and corners a touch bruised; text block a trifle rubbed on fore-edges, gilt lettering on spine somewhat oxidized; a very good copy. Weird adventure thriller, a hot-blo oded sea-captain is..... More
Boston: Small, Maynard and Company, Publishers. [1914]. Early Printing. Hardcover. Second printing, February, 1914. Thick octavo, original red cloth titled in gilt on spine and front panel, pictorial endpapers. Colour frontispiece plus 3 additional black & white plates inserted throughout the text, all by P.J. Monaghan. 672 pp. Spine panel..... More
Chicago: Frank A. Munsey Company. 1941. First Printing. Original Wraps. Octavo, original colour pictorial wrappers. Paper off-white. Ink name "Floyd Peill" on first leaf. Light edge-tears, old cellotape on spine. Fantastic cover (and some interior) artwork by Virgil Finlay for A. Merritt's THE METAL MONSTER. More
Chicago: Ziff-Davis Publishing Company, 1951. First Printing. Original Wraps. Octavo, original colour pictorial wrappers. Off White Paper. Faint cover creases, small edgetears, a very good to near fine copy. Front cover artwork by Ed Valigursky for the title story THE MAN WHO STOPPED AT NOTHING by Paul W. Fairman, a...... More
Chicago: Ziff-Davis Publishing Company, 1951. First Printing. Original Wraps. Octavo, original pictorial wrappers. Paper off-white. Covers chipped and torn, some old tape stains. Small price in pencil on front panel. A good copy only. Fantastic cover art by Robert Gibson Jones for Robert Bloch's story THE DEAD DON'T DIE. More
Chicago: Ziff-Davis Publishing Company, 1940. First Printing. Original Wraps. Octavo, original pictorial wrappers. Paper off-white. Light edge tears and tiny chips, small bit of pencil writing on title page, very good. Front cover artwork by J. Allen St. John for JONGOR OF THE LOST LAND by Robert Moore Williams. More
Chicago: Ziff-Davis Publishing Company, 1942. First Printing. Original Wraps. Octavo, original colour pictorial wrappers. Paper slightly toned at edges. Light spine fade, tiny edge tears; a sound, very good copy. Front cover artwork by J. Allen St. John for THE EAGLE MAN by Don Wilcox, rear cover artwork by Frank..... More
Chicago: Ziff-Davis Publishing Company, 1945. First Printing. Original Wraps. Octavo, original colour pictorial wrappers. Paper slightly toned at edges. Light spine fade, tiny edge tears and chips, small chip from upper left corner of front cover; a sound, very good copy. Front cover artwork by J. Allen St. John for..... More
Chicago: Ziff-Davis Publishing Company. 1942. First Edition, First Printing. Original Wraps. First Edition. Octavo, original pictorial wrappers. 146 pp. Spine a bit dull, small chip at bottom. Pencil marks. Very good. Skull cover art. ¶ Stories by Frank patton, William P. McGivern and others. Skull Cover Art. More
Chicago: New Publications, 1948. First Printing. Original Wraps. Octavo, original pictorial wrappers. Paper off-white. Small edge-tears & creases, one tiny hole, and a closed tear on the front panel.Great front-cover artwork by Lawrence for THE CONQUEST OF THE MOON POOL by A. Merritt; interior illustrations by Virgil Finlay. More
New York, London & Toronto: Longmans, Green and Co., 1931. First Edition, First Printing. Hardcover. First edition. 236 pp. Green pictorial cloth designed in black. Pictorial end papers. Frontispiece & 5 illustrations. A clean very good copy in a slightly chipped pictorial dust jacket, with wrap-around design by Carlos Sanchez..... More