HANDS OF APOSTASY. Essays on Traditional Witchcraft. Deluxe Edition, limited to 63 hand-numbered copies bound in half morocco goat leather with hand marbled endpapers.

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HANDS OF APOSTASY. Essays on Traditional Witchcraft. Deluxe Edition, limited to 63 hand-numbered copies bound in half morocco goat leather with hand marbled endpapers.
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HANDS OF APOSTASY. Essays on Traditional Witchcraft. Deluxe Edition, limited to 63 hand-numbered copies bound in half morocco goat leather with hand marbled endpapers.
HANDS OF APOSTASY. Essays on Traditional Witchcraft. Deluxe Edition, limited to 63 hand-numbered copies bound in half morocco goat leather with hand marbled endpapers.

Publisher: Three Hands Press.
Date Published:
Edition: First Edition, First Printing
Binding: Half-Leather
Condition: Fine
Book Id: 310861

Description

First Edition. Octavo, original publisher's half morocco over marbled paper boards, spine panel titled in gilt, marbled endpapers. 384 pages, 26 illustrations by Timo Ketola. One of 63 hand-numbered copies comprising the Deluxe issue, this being copy No. 18. Of two noted variants, this copy has the headbands at head & heel of spine panel in green and gold (we have also seen these in brown and gold) and the leather embossing in light copper. Issued as "Western Esotericism in Context, Vol 1". A fine copy without dust jacket, as issued. Note: In the original pre-publication notice these Deluxe Editions it was advertised that these were to be issued in slipcases; however, upon publication they were issued without slipcases - so none is present here. The Deluxe issues of two further volumes in the Western Esotericism in Context Series, A ROSE VEILED IN BLACK and THE LUMINOUS STONE, were also issued without slipcases.

Comments

Old-style Craft, also known as traditional witchcraft, endures as a distinct body of archaic magical practices in present-day Britain, North America and Australia. Originally nameless, such bodies are related to a variety of historical magical streams, most notably the practices of the Grimoires or 'black books', folk-healing, and popular magic of the early modern era. Typically, such groups operate in secret, with strict means of initiatic succession, and practice sorcery characterized by a dual ethos of healing and harming. Though an internally contentious issue, the word witch is accepted as a descriptor for practitioners of this art, as is anti-witching for practices of removing curses and binding magical malefactors. Though still obscure, even in occult circles, the variety and idiosyncrasy of Old Craft traditions is remarkable. The witches of Cornwall, with their corpora of folk charms and blessings, are one such phenotype. The Pickingill Craft as described by E.W. Liddell, remains despite its controversy one of the most unique and potent Craft persuasions, as do the teachings and practices of Robert Cochrane, founder of Clan of Tubal Cain. The Manx Old Order, the Skull and Bones tradition of Pennsylvania, and the Cultus Sabbati, with the medieval Witches' Sabbath as an important organizing principle, are yet other distinctive traditions. Hands of Apostasy is a groundbreaking witchcraft anthology presenting nineteen articles written by both scholars and practitioners, addressing such crucial Old Craft topics the Devil, Initiation, the relation of witchcraft to the grimoire corpus, the mysticism and magic of herbs, folk-charming, the nocturnal flight, the Romantic movement, the witches' cauldron, and the powers of moon and tide. Representing widely-varying witchcraft traditions and perspectives, the book is a sound testament to the Craft's history, diversity and strength, as well as the characteristic marks of an evolving and contemplative tradition. The work is profusely illustrated with a specially-commissioned set of illustrations by renowned Finnish engraver Timo Ketola, pleasing both sensus and spiritus. In his darkly opulent style evocative of nocturnal tableaux and forlorn landscapes, Mr. Ketola's work for Hands of Apostasy is a stunningly original addition to the iconography of the witch. Contents Include: The Magic of History: Some Considerations, by Andrew Chumbley; A Family Craft Tradition by Douglas McIlwain; Killing the Moon: Witchcraft Initiations in the Mountains of the Southern United States, by Corey Hutcheson; Pentacles of Wood, by David Rankine; Moon-Raking in the Old Craft, by Cecil Williamson; The Cauldron of Pure Descent by Martin Duffy; Spirits and Deific Forms: Faith and Belief in British Old Craft, by Melusine Draco; Waking the Dead: The Ancient Magical Art of Necromancy, by Michael Howard; The Witching Hour, by Peter Hamilton Giles; The Man in Black, by Gemma Gary; Origins and Rationales of Modern Witch Cults, by Andrew Chumbley; Mirror, Moon and Tides, by Levannah Morgan; The Traditional Witchcraft of Ellan Vannin, by Manxwitch; Unchain the Devil! by Radomir Ristic; Where the Three Roads Meet: Oneiric Praxis in the Sabbatic Craft, by Jimmy Elwing; Pharmakeute: Witches as the Plant People of Old Europe, by Raven Grimassi; Conjure-Charms of the Welsh Marches, by Gary St. Michael Nottingham; The Blasphemy of Things Unseen, by Daniel A. Schulke; & Romantic Age Roots of Traditional Witchcraft, by Lee Morgan.


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