ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.

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ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
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ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.
ILLUSTRATION PORTFOLIO No. 1: Illustrating "WHEN THE GODS SLEPT" and "NIGHT AND MORNING" by Lord Dunsany.

Place Published: Los Angeles
Publisher: The Arthur Wesley Dow Association.
Date Published:
Edition: First Edition, First Printing
Book Id: 310302

Description

First Edition. Small Elephant Folio. Bound in publisher's quarter cloth over paper boards with title label on front cover and cloth ties. Publisher's device on front cover and title plate. A portfolio with ten loosely laid in 12 x 15 inch black and white illustrations. Included is artwork illustrating Lord Dunsany's "When the God's Slept" and "Night and Morning" by artists Louise Guthrie, Lucille Brown, Beatrice P. Rand, Annie C.B. McPhail, and Michi Hashimoto. Covers lightly marked, small chips to edges of title label, ties torn and frayed, small tear and minor cloth loss to lower edge of front joint; title plate has small edge tears and an old corner crease. One plate (No.2) has a faint crease across its image area near the lower border, another (No. 4) has two closed tears from its upper edge into its image area and small bits of cellophane tape on verso. Overall, a very good example of a very scarce and beautiful production.


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